Gary Ianziti, The Plutarchan Option – Leonardo Bruni’s Early Career in History, 1405-1414, p. 11
Anthony Grafton, Historia and Istoria – Alberti’s Terminology in Context, p. 37
Letizia Panizza, Pico della Mirandola e il De Genere Dicendi Philosophorum del 1458 – L’encomio paradossale dei “barbari” e la loro parodia, p. 69
Carmen C. Bambach, The Purchases of Cartoon Paper for Leonardo’s Battle of Anghiari and Michelangelo’s Battle of Cascina, p. 105
Albert Russell Ascoli, Faith as Cover-up – Ariosto’s Orlando Furioso, canto 21 and Machiavellian Ethics, p. 135
Lina Bolzoni, Il mondo utopico e il mondo dei cornuti – Plagio e paradosso nelle traduzioni di Gabriel Chappuys, p. 171
David Rosenthal, The Genealogy of Empires – Ritual Politics and State Building in Early Modern Florence, p. 197
Photo Credits, p. 237

E. H. Gombrich, The Sassetti Chapel Revisited: Santa Trinita and Lorenzo de’ Medici, p. 11
Jérôme Hayez, Io non so scrivere a l’amicho per siloscismi – Jalons pour une lecture de la lettre marchande toscane de la fin du Moyen Âge, p. 37
Bette Talvacchia, Classical Paradigms and Renaissance Antiquarianism in Giulio Romano ‘s I Modi, p. 81
Francesco Smerlati, Dalla donna di palazzo alla donna di famiglia – Pedagogia e cultura femminile tra Rinascimento e Controriforma, p. 119
Michele Ciliberto, Giordano Bruno tra mito e storia, p. 175
Pietro C. Marani, Il Cenacolo di Leonardo e i suoi restauri nella Milano fra il XV e il XX secolo fra arte e fede, propaganda politica e magnificenza civile, p. 191
David Quint, Duelling and Civility in Sixteenth Century Italy, p. 231
Arnaldo Morelli, Per ornamento e servicio – Organi e sistemazioni architettoniche nelle chiese toscane del Rinascimento, p. 279
Photo Credits, p. 305

Christiane Klapisch-Zuber, Les Noces Feintes – Sur quelques lectures de deux thèmes iconographiques dans les cassoni florentins, p. 11
Salvatore Settis, Traiano a Hearst Castle – Due cassoni estensi, p. 37
Ronald Witt, What did Giovannino Read and Write? – Literacy in Early Renaissance Florence, p. 83
Andrew Butterfield, New Evidence for the Iconography of David in Quattrocento Florence, p. 115
Creighton E. Gilbert, Ghiberti on the Destruction of Art, p. 135
Stephen J. Campbell, “Sic in Amore furens” – Painting as Poetic Theory in the Early Renaissance, p. 145
Massimiliano Rossi, Per l’unità delle arti – La poetica figurativa’ di Giovambattista Strozzi il Giovane, p. 169
Paul F. Gehl, The 1615 Statutes of the Sienese Guild of Stationers and Booksellers – Provincial Publishing in Early Modern Tuscany, p. 215
Photo Credits, p. 255

Gene Brucker, Florentine Voices from the Catasto, 1427-1480, p. 11
Caroline Elam, Art in the Service of Liberty – Battista della Palla, Art Agent for Francis I, p. 33
Stefano La Via, Concentus Iovis adversus Saturni Voces -Magia, Musica astrale e Umanesimo nel IV Intermedio fiorentino del 1589, p. 111
John Monfasani, The Averroism of John Argyropoulos and his Quaestio utrum intellectus humanus sit perpetuus, p. 157
Robert Williams, The Facade of the Palazzo dei ‘Visacci’, p. 209
Christopher Reynolds, Aspects of Clerical Patronage and Musical Migration in the Renaissance, p. 245
Alessandro Cecchi, Un ritratto immaginario e celebrativo di Giovanni di Paolo Rucellai – indagini e ipotesi, p. 265
Charles Trinkaus, Lorenzo Valla ‘s Anti-Aristotelian Natural Philosophy, p. 279
Photo credits, p. 329

James R. Banker, The Program for the Sassetta Altarpiece in the Church of S. Francesco in Borgo S. Sepolcro, p. 11
Gary Ianziti, Humanism ‘s New Science – The History of the Future, p. 59
Tim Carter, Non occorre nominare tanti musici – Private Patronage and Public Ceremony in Late Sixteenth Century Florence, p. 89
Christiane Klapisch-Zuber, The Genesis of the Family Tree, p. 105
Allen J. Grieco, The Social Politics of Pre-Linnaean Botanical Classification, p. 131
Honey Meconi, Sacred Tricinia and Basevi 2439, p. 151
Roberto Bizzochi, La nobiltà in Dante, la nobiltà di Dante – Cultura nobiliare, memoria storica e genealogia fra Medio Evo e Rinascimento, p. 202
Walter Stephens, Metaphor, Sacrament, and the Problem of Allegory in Gerusalemme Liberata, p. 217
Robert W. Gaston, Love’s Sweet Poison – A New Reading of Bronzino’s London Allegory, p. 249
Photo credits, p. 291

Sydney J. Freedberg, Some Thoughts on Berenson, Connoisseurship, and the History of Art, p. 11
Lorenzo Polizotto, Dell’arte del ben morire: The Piagnone Way of Death, 1494-1545, p. 27
Margaret Haines, Brunelleschi and Bureaucracy: The Tradition of Public Patronage at the Florentine Cathedral, p. 89
David Nutter, Ippolito Tromboncino, Cantore al Liuto, p. 127
Giovanna Perini, L’arte di descrivere: La tecnica dell’ecfrasi in Malvasia e Bellori, p. 175
Anthony Colantuono, Titian’s Tender Infants: On the Imitation of Venetian Painting in Baroque Rome, p. 207
William E. Wallace, Michelangelo at Work: Bernardino Basso, Friend, Scoundrel, and Capomaestro, p. 235
Photo credits, p. 281

An Editorial Comment to Richard Goldthwaite’s The Economy of Renaissance Italy, p. 11
Richard A. Goldthwaite, The Economy of Renaissance Italy – The Preconditions for Luxury Consumption, p. 15
F. W. Kent, Palaces, Politics and Society in Fifteenth Century Florence, p. 41
Roger Jones, Mantegna and Materials, p. 71
H. Colin Slim, Arcadelt’s “Amor, tu sai” in an Anonymous Allegory, p. 91
Valerie Wainwright, The Testing of a Popular Sienese Regime – The Riformatori and the Insurrection of 1371, p. 107
Robert Black, Humanism and Education in Renaissance Arezzo, p. 171
Nancy Struever, Lorenzo Valla’s Grammar of Subject and Object – An Ethical Inquiry, p. 239
Photo credits, p. 269

Michael Bury, Bernardo Vecchietti, Patron of Giambologna, p. 13
Tim Carter, Music and Patronage in Late SixteenthCentury Florence – The Case of Jacopo Corsi (1561-1602), p. 57
Caroline Elam, Piazza Strozzi – Two Drawings by Baccio d’Agnolo and the Problems of a Private Renaissance Square, p 105
Louis Green, Lucca under Castruccio Castracani – The Social and Economic Foundations of a Fourteenth Century Italian Tyranny, p. 137
Thomas Kuehn, Reading between the Patrilines – Leon Battista Alberti’s Della Famiglia in Light of His Illegitimacy, p. 161
Piotr Salwa, Fiction e Realtà – Novella come fonte storica, p. 189
Salvatore Settis, Danae verso il 1495, p. 207
Mikolaj Szymanski, Ciceronian Decadence – Tommaso Aldobrandini’s Consolation for Bernardo Salviati, p. 239
Illustrations, p. 265
Photo credits, p. 309